NOIR CITY 23
The joint will be jumping when the venerable NOIR CITY film festival kicks out the jams at the Grand Lake Theatre, January 16–25, 2026, with an exciting 10-day program of crime and mystery films featuring . . . musicians! From early examples of Hollywood noir like Blues in the Night (1941) to jazz-fueled sixties’ gems like All Night Long (1962) and A Man Called Adam (1966), the movies feature genuine musical legends performing alongside film noir favorites including Humphrey Bogart, Lauren Bacall, John Garfield, Ida Lupino, Kirk Douglas, Ann Sheridan, and Robert Mitchum.
Among the real-life musicians appearing onscreen at NOIR CITY 23: Elvis Presley, Doris Day, Louis Armstrong, Keely Smith, Dexter Gordon, Ella Fitzgerald, Hoagy Carmichael, Sammy Davis, Jr., Peggy Lee, Oscar Levant, Dave Brubeck, Charlie Mingus, and many more.
“Back in the 1940s, nightclubs and jazz played a significant role in creating the noir vibe,” explains festival founder and host Eddie Muller. “So, it was fun to craft a program in which music plays a role in every story, either through the setting or because the characters are musicians.” As he usually does, Muller balances the roster between established classics (To Have and Have Not (1944), Gilda (1946), Sweet Smell of Success (1957), and seldom-screened titles like The Strip (1951), The Crimson Canary (1945), and Face the Music (aka The Black Glove), a 1954 British rarity that provided the “kicker” for this year’s festival.
Muller acknowledges that some of this year’s offerings veer outside the proscribed boundaries of noir, but he offers no apologies: “Jazz is America’s greatest contribution to the twentieth century,” he declares, “and mixing it up with film noir is a perfect way to showcase the music for a younger generation. The stories may be dark and depressing, but the music always soars.”
Many of the films on the schedule are fictions in which music plays a major part; others are based on actual performers, like the 1955 Doris Day vehicle Love Me or Leave Me in which Day gives a scintillating performance as 1920s singing and dancing sensation Ruth Etting. Kirk Douglas’ Young Man with a Horn from 1950 (also starring Day) is based on the life of cornetist Bix Beiderbecke (with Harry James providing the actual horn work). Similarly, Sammy Davis, Jr. and Dexter Gordon give memorable portrayals in, respectively, A Man Called Adam and Round Midnight (1986), playing composites of real-life jazz artists. “Jazz may dominate the program,” Muller notes, “but we’ve also got samplings of classical (1946’s Humoresque), country (1958’s Thunder Road), and rock ‘n’ roll (1958’s King Creole) — I finally hit on a theme that accommodates my favorite Elvis movie.”
Friday, Jan 16
BLACK ANGEL 7:15
BLUES IN THE NIGHT 9:00
Saturday Matinée, Jan 17
TO HAVE AND HAVE NOT 1:15
NOCTURNE 3:30
Saturday Evening, Jan 17
THE MAN I LOVE 7:00
GILDA 9:00
Sunday, Jan 18
HUMORESQUE 1:15, 6:00
YOUNG MAN WITH A HORN 3:45, 8:15
Monday, Jan 19
THE STRIP 7:30
FACE THE MUSIC 8:45
Tuesday, Jan 20
Wednesday, Jan 21
LOVE ME OR LEAVE ME 7:00
PETE KELLY'S BLUES 9:20
Thursday, Jan 22
THE MAN WITH THE GOLDEN ARM 7:00
SWEET SMELL OF SUCCESS 9:20
Friday, Jan 23
KING CREOLE 7:15
THUNDER ROAD 9:30
Saturday Matinée, Jan 24
HANGOVER SQUARE 1:30
THE WRONG MAN 3:00
Saturday Evening, Jan 24
NORA PRENTISS 7:00
THE CRIMSON CANARY 9:15
Sunday, Jan 25
TICKET INFO
➤ Purchase advance tickets through Eventbrite with any of the ticket links in the program pages linked above. Doors open at 6:00 pm for evening shows; noon for matinées.

NOIR CITY 23 PASSPORT
FACE THE MUSIC! Join Film Noir Foundation founder and TCM host Eddie Muller for 10 days at NOIR CITY 23 (January 16 - 25, 2026) as he presents 24 films revolving around musicians! The darker side of the musical life is explored in films that range from star-studded classics to lesser-known B films. In addition to great tales of mystery and suspense, the films feature exceptional soundtracks providing a fabulous sampling of mid-twentieth-century classical, pop, and jazz scores.
The 24-film NOIR CITY 23 program will be announced Wednesday night, December 17, at NOIR CITY Xmas (Grand Lake Theatre) and here at NoirCity.com
Secure your spot for all the entertainment and excitement at January's NOIR CITY festival with an all-access NOIR CITY 23 PASSPORT for $200 (plus service fee). This all-access festival pass grants the bearer:
✻ Entry to all films during the 10-day NOIR CITY 23 film festival
✻ Separate passport holders' queue for early admittance to the theater for all shows
✻ $40 savings over individually purchased double-feature tickets.
THE PERFECT HOLIDAY GIFT
Proceeds from the NOIR CITY festival help fund the FNF's restoration and preservation efforts year-round. Remember — the NOIR CITY Passport makes a perfect holiday gift for the film lover in your family, too!
NOTE NOIR CITY Passports are non-transferable. All sales are final. Patrons MUST arrive 30 minutes before show time to be guaranteed a seat!
NOIR CITY ACCOMMODATIONS
Marriott Oakland City Center

If you're an out-of-towner looking for lodging in Oakland, the Marriott Oakland City Center is offering a discounted room rate of $145/night (plus tax) to NOIR CITY 23 festival guests Thursday, January 15 - Monday, January 26, 2026. Located at 1001 Broadway in downtown Oakland, the hotel is 2.1 miles from the Grand Lake Theatre.
To take advantage of this special $145/night rate, your booking must be made on or before Monday, December 29, 2025.
For additional information, you may contact the hotel at 510/451-4000.
☇ DIRECTIONS TO THE GRAND LAKE THEATRE
All you need to know about the NOIR CITY Film Festival ↓
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Alan K. Rode interviews Rory Flynn about her father, Errol Flynn (1909-1959), before the screening of the 1947 Errol Flynn/Barbara Stanwick film Cry Wolf (1947) at the Arthur Lyons Film Noir Festival in Palm Springs. Topics include: Palm Springs in the 1950s, The Baron of Mulholland, Nora Eddington (Rory’s mother), Errol Flynn as a yachtsman and adventurer, Tazmania, Captain Blood, Michael Curtiz, Flynn parties.

